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A combat between craft and contemporary art is being waged at the University of Maine Museum of Art in Bangor this sprout with exhibits by Maine sculptor Jemma Gascoine and New York artist Ruth Marshall . Both shows flee categorization and raise questions about societal value of functional craft.

A third origin exhibit, a provocative and mysterious retrospective show by Boston-based photographer John Goodman, further shakes things up. All three shows, including a rotation of the museum’s abiding collection, run through June 9.

Double glass doors skinflinty with a decisive thud, and visitors are in a poacher’s lair. Wildcat pelts, spotted and lined, rise up, stretched across bamboo frames, replacing the pristine museum walls. Surrounded with the unique skins of endangered species, visitors may at first be startled, disgusted even, but upon closer exam, the “pelts” are actually made of wool yarn.

“I unquestionably want people to understand how beautiful these animals are, and I also want them to be in sympathy with how endangerment and violence is part of the display. It’s a double-edged sword,” said Australian-born Marshall, maker of the meticulously knitted life-size displays. She arrived Monday in Maine to instal her work.

Source: Bangor Daily News

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