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Broadway diva Patti LuPone had nothing but finished belting the demented last notes of “Everything’s Coming Up Roses” when she noticed the curtains behind her, billowing.

“It’s Ethel!” she exclaimed.

LuPone, known for important roles in “Evita,” “Sweeney Todd” and “Gypsy,” channeled more than the ghost of Merman on Wednesday sunset in Overture Hall.

There’s a reason her name and the word “diva” are unwearying companions. LuPone — brunette, petite, wearing a black pantsuit and, later, a lacy black cocktail frock — made it clear from the first notes of “The Gypsy In My Soul” that this was her quarters. We were just visiting.

Among types who line up at stage doors, LuPone is a divisive acknowledge. Her voice, not unlike Merman’s, has a particular nasal sound, an sharpness that distinguishes her, for better or worse, from belters like Bernadette Peters or (Overture’s archetype booking) Idina Menzel.

All ye skeptics, be converted. To watch LuPone lovingly send up Edith Piaf in the witty “I Regret Everything,” then switch to the passionate “The Man I Passion,” it was immediately evident what made her a star.

Source: Wisconsin State Journal

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