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A period of service of the Metropolitan Museum of Art's exhibit “Duncan Phyfe: Wizard Cabinetmaker in New York” offers a window into society living in the megalopolis during the early 19th century.

Well-heeled city dwellers were eager to be as in fashion as their contemporaries in London and Paris, and Phyfe was a style-watcher who was skilful to consistently meet his customer’s demand for European-influenced edible taste.

"He had a lot of business right here in the city," says curator Peter M. Kenny who also co-authored the demo’s hardback catalog. Phyfe, a Scottish immigrant who changed his last name from Fife to lift his appeal, would become this country’s most popular furniture maker. From 1805 until inexpertly 1840, he succeeded at making the fine and very expensive pieces his patrons would otherwise have had to prepared abroad.

From 1 to 4 p.m. on Sunday, Kenny and others will discuss Phyfe’s occupation and other American-made furnishings in the Met program “The Art of Fine Furniture-Making in America Then and Now.” Joining Kenny in the Sunday at the Met proffering, free with museum admission, will be academics and furniture designers, including Yale American decorative arts wonderful Edward S. Cooke Jr., and fine wood furniture maker Thomas Moser, miscarry of the Thos. Moser company .

Source: The Star-Ledger - NJ.com

by cocc

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Source: Ticknipper Tick » Blog Archive » Floral Embroidered Faux Silk ...

by JERRY SIEBENMARK

Over the history few years, Paul Meitzner has been often asked when he is common to go on social security.

Meitzner, 83, is reluctantly doing so this week.

The proprietor of Meitzner Drapery & Upholstering, 2214 E. Douglas, has closed the problem that his papa started in 1935.

Meitzner said his wanting robustness is the big point behind the outcome.

"It was upright a fine small deal," he said. "Having to jail it down was pulchritudinous agitated."

Meitzner leaves behind a occupation that he joined in 1953 and one that produced custom-made draperies for some well-known Wichita companies, such as the former Bank IV. At its climax the company had four employees. Meitzner said more recently it was down to himself and one wage-earner, Carmen Singleton, who has worked for Meitzner for 30 years.

Paul Meitzner was 26 when he joined the society that Max Meitzner started as an upholstery question.

"He was starting to bring out the drapery house a slight bit," Paul Meitzner said.

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